Category Archives: Events

Details about upcoming conferences, tradeshows, meetings, webinars, etc.

Hearing for CASE Act: Capitol Hill, September 27th

The House Judiciary Committee has scheduled a hearing on the Copyright Alternative in Small-Claims Enforcement (CASE) Act on Thursday, September 27th at 2:00pmET (Room 2141 in the Rayburn House Office Building).

Rayburn House Office Building Address45 Independence Ave SW, Washington, DC 20515/
Nearest Metro Stop: Capitol South on Blue/Orange/Silver Lines Nearest Train StationUnion Station

Expected witnesses are as follows:

  • Ms. Jenna Close, P2 Photography
  • Mr. Keith Kupferschmid, Copyright Alliance
  • Mr. Matthew Schruers, Computer and Communications Industry Association
  • Mr. David Trust, Professional Photographers of America
  • TBD, Internet Association

DMLA encourages members to show their support of the CASE Act by joining with other visual creator organizations on Capitol Hill in show of unity for the proposed small claims tribunal before the House Judiciary Committee.  The Copyright Alliance will be passing out T-shirts to all in support of our cause.

We will be posting more information as it becomes available, but if you are in the area, please plan to show your support!

 

 

West Coast Footage Meet-Up

ACSIL’s LA Meet-Up on Saturday October 20, 2018 (the day before the DMLA 2018 Conference) is a prime opportunity to present your footage collection to a motivated audience of footage buyers. With co-sponsor’s CLEAR and the IDA, this event is sure to attract the top audio-visual researchers and documentary filmmaker from the Los Angeles production community.  You don’t want to miss this opportunity. To book an exhibition table cut & paste the link below into your browser and fill out the online form.

Association of Commercial Stock Image Licensors
Reserve Your Exhibition Table Now at the

West Coast Footage Meet-Up
Saturday, October 20, 2018
Getty Images, Los Angeles
6300 Wilshire Blvd, 16th Floor
Los Angeles, CA 90048

1 Networking Event – 3 Panels, 3 Perspectives – 100% Footage
Schedule:

2 pm – 3 pm Meet the Archives
3 pm – 6 pm Engage with Panels by ACSIL, CLEAR, & IDA
5 pm – 7 pm Network at the Reception

Exhibition Tables

Reserve a table by Monday, September 17, 2018, at: https://goo.gl/forms/hAInV8pP8tmebfrP2

Fees
$250 for ACSIL Members
$500 for Non-ACSIL Members

Details
4 ft rectangular table with linen, chair, and table sign
No AV is provided, but exhibitors can bring their own laptop or monitor that must sit on the table
Electricity and internet access provided
No backdrop signage or deliveries
Space is limited, and your reservation will not be complete until payment is made via emailed invoice
FREE Valet Parking

THE PANELS

ACSIL’s, Association of Commercial Stock Footage Licensors, panel will bring leaders from the world’s most important archives to discuss the challenges and successes of stock footage industry, and provide attendees with a sneakpeak of the upcoming ACSIL General Survey 4 (global view on footage industry).

CLEAR’s, Association of Clearance and Research Professionals, panelists will share their expertise on rights and clearance administration for film and television, which all footage sellers, rights managers, producers, and researchers will not want to miss.

IDA, International Documentary Association, has created a community of the world’s best documentary makers that are ushering in a “golden age” of archival footage use in production, looking to researchers to make a deep dive into archives for the best and most unique footage, and pushing for more flexible clearance deals. This panel will explore how documentary artists are producing their projects, working with archives, finding footage, and getting footage cleared now.

Established in 2003, the Association of Commercial Stock Image Licensors (ACSIL) is a not-for-profit trade association representing the interests of the stock footage community. ACSIL members are the world’s leading providers of stock and archival footage. For more information, visit www.ACSIL.org

Our mailing address is:
Matthew White
Executive Director
Association of Commercial Stock Image Licensors (ACSIL)
Silver Spring, MD

www.acsil.org
communications@acsil.org

 

Two Industry Icons, Anita Duncan and Woodfin Camp, Pass Away

It is with deep regret and sadness that we report the passing of two digital media icons.

Anita Duncan was ASPP’s 2005 Picture Professional of the Year, and served as national Membership co-Chair from 2015-2016. Anita has been actively involved with ASPP since its inception in the 1960’s and was one of the early “brown bag lunch group” that later became ASPP.

Anita was a friend and mentor to many in our business and will be sorely missed.

After numerous jobs throughout the country she found the love of her life, New York City, where she lived for over 50 years. Using her art degree, she worked as a college and elementary school textbook designer, book editor, photo researcher and director of editorial licensing. Sixteen months of that NYC time were spent working for Marvel Comics, where she became friends with Spiderman! She was named Picture Professional of the Year by The American Society of Picture Professionals in 2005. When she retired in 2012, she was director of Marketing & Permissions for a stock photography agency – Science Source – originally known as Photo Researchers.

Her love of New York was evident in the artwork on her walls and the Playbills programs she saved from the hundreds of Broadway shows she attended. She returned to Evansville during the summer of 2014 to organize the story of her “art full” life with an exhibit at the Evansville Museum. The 70 years retrospective was on exhibit from August 8th to October 4th, 2015 and is now part of the museum collection.

Woodfin Camp, better known as “Woody” passed away on July 25th, 2018 after a long battle with Alzheimer’s. Woodfin Camp Associates was an old member of PACA back in the early days of the Association and a supporter of the organization for many, many years. His agency was located in NYC and was home to many in the industry who got their start in the four walls of his company

His family and friends will gather to remember “the generous, loving, dapper, gracious, funny, loyal and workaholic” person that he was in the fall.

May they both rest in peace.

Copyright Law Rejected in EU Vote

A controversial bill in the EU seeking a rewrite of Europe’s copyright laws giving creators more power to restrict how their content is distributed has been rejected by lawmakers.  The vote was 318 against the legislation, known as The Copyright Directive, while 278 voted in favor, and 31 abstained, taking the reforms back to the drawing board.

The reforms to the law had two elements deemed particularly controversial by critics, Article 11 and Article 13.

Article 11, also called “link tax,” would force internet giants such as YouTube, Google, and Facebook to pay for using news snippets from publishers on their platforms.

Perhaps most contested is Article 13, which would require companies to monitor all content uploaded online to their platform to check it for copyright infringement. Critics said this could lead to the removal of internet memes, which often use copyrighted images.

The New York Times has a comprehensive article about the bill here.

 

Tech Giants Win a Battle Over Copyright Rules in Europe

https://mobile.nytimes.com/2018/07/05/business/eu-parliament-copyright.html

European Parliament lawmakers rejected a bill backed by news outlets and music publishers to restrict the use of their content on platforms like YouTube and Facebook.Frederick Florin/Agence France-Presse — Getty Images

 

It’s a fight nearly as old as the internet.

On one side are news organizations, broadcasters and music companies that want to control how their content spreads across the web, and to be paid more for it. On the other are tech companies such as Facebook and Google, which argue that they funnel viewers and advertising revenue to media outlets, and free-speech advocates, who say that regulating the internet would set a dangerous precedent and limit access to information.

That battle flared up in Europe on Thursday. Two powerful industries faced off — technology against media, platforms against publishers — in an unusually aggressive lobbying campaign in the European Parliament over a bill that would impose some of the world’s strictest copyright laws, which would have required tech companies to filter out unlicensed content and pay for its use.

On this occasion, tech prevailed; the proposal was voted down.

The decision came amid broader efforts in Brussels to rein in tech giants. European regulators have already brought in tough new privacy rules, and are considering enhancing them. They have hit Silicon Valley companies with hefty antitrust fines, and are investigating them over their tax practices and handling of data. And like elsewhere in the world, they are increasingly skeptical of the argument made by internet companies that they are simply impartial platforms that cannot be held responsible for what is posted on their pages.

“Making content available on the internet does not come without responsibility,” said Eleonora Rosati, an associate professor on intellectual property law at the University of Southampton’s law school in England, who has been tracking the bill. “Rights holders want to control how their content is made available, shared and indexed.”

But after a well-coordinated effort by companies including Facebook, Google, Reddit and Wikipedia, as well as a grass-roots campaign by backers of an open internet, the European Parliament on Thursday rejected the proposed copyright law. Though lawmakers can still revise the bill and call another vote, the result is a blow to media companies that had believed that, if ever there was a good time to impose tougher rules on tech giants, this was it.

Media businesses like Axel Springer of Germany have become frustrated because even as their content has spread online, it is platforms like YouTube, owned by Google, and Facebook that have grown into advertising powerhouses on the back of the material.

Those media companies have been seeking a rewrite of Europe’s copyright laws that would give them more power to restrict how their content is distributed. They also cited concerns that Silicon Valley was not playing a strong enough gatekeeper role when it came to curtailing hate speech, violent extremism and fake news.

Supporters of the bill argued that stricter copyright laws would give content creators more leverage against internet behemoths such as Google. Publishers have long complained that such companies profit from the work of others.

“The real issue is Google’s market power,” said Lionel Bently, a law professor at the University of Cambridge who focuses on copyright. “The content industry feels it can’t negotiate on a level playing field.”

Influential policymakers in Brussels such as the president of the European Commission, Jean-Claude Juncker, have seemed receptive to such arguments. A proposal was put forward to require websites to use filtering technology to block unlicensed content from being posted and to obligate them to pay fees for news articles and other material posted online.

The proposed rules would have added up to a sweeping change to copyright law.

Operators of websites have long been protected from liability when unlicensed content is posted by a user. Instead, they are required only to remove infringing material once it is brought to their attention. In effect, if someone posts a movie clip on YouTube, or shares the text of an article on Reddit, those websites are not held legally liable.

The new European proposals would put more responsibility on website owners, creating a potentially costly problem for sites that depend on user-generated material.

The most contentious provision of the plans would require websites to use filtering software to screen such content before it was posted. YouTube already has a system to weed out unlicensed material, but the European rules would have gone further by requiring others to use similar tools. Another requirement, favored by book and news publishers, would prevent websites from using pieces of their content without authorization.

Critics of the bill argued that it would lead to many unforeseen consequences, warning that it could even affect satirical content or the use of images in internet memes. They said it would restrict what was available online, and some described a provision requiring permission before websites used publishers’ content as a “link tax.”

“There’s no way that those algorithmic filters are going to be able to decide that something is fair use, parody, a meme or a mash-up,” said Danny O’Brien, international director of the Electronic Frontier Foundation, a digital rights nonprofit group that opposed the bill.

In defeating the proposal, the technology industry showed that it still held considerable influence, even as it has faced widespread criticism over privacy violations, the spread of misinformation, accusations of anticompetitive business practices and concerns about smartphone overuse.

The coalition against the proposal that came together over the past month was similar to defenders of net neutrality in the United States, a mix of corporate giants and open internet activists. They said the copyright bill would limit the access to information and would overburden operators of websites, especially those without the resources of an American tech giant, with the costly task of screening user-generated content before posting it.

Wikipedia blocked access to articles on its site in many European countries and encouraged its users to call on their representatives in the European Parliament to vote against the proposal. Scientists credited with creating the internet sent a letter urging that it be rejected. Even David Kaye, the United Nations rapporteur on the protection of freedom of expression, raised concerns.

Wikipedia said on its website that the measure “threatens online freedom and creates obstacles to accessing the web, imposing new barriers, filters and restrictions.”

Lobbying ahead of the vote was “extraordinary, something we don’t experience on a normal basis here in the Parliament,” said Umberto Gambini, a senior aide to Ramon Tremosa, a Spanish member of the European Parliament.

Mr. Gambini said he had received hundreds of messages from individuals and organizations attempting to win Mr. Tremosa’s support. There was one from a Polish business group, he said, another from an artists’ organization, and others still from news publishers and associations representing tech companies.

He added that one message had come from the musician Paul McCartney, who wrote to members of the European Parliament in support of the tighter copyright rules.

But Mr. McCartney’s efforts were in vain: Mr. Tremosa ultimately opposed the bill.

AMAZON VP TO OPEN LICENSING EXPO

You’re invited to attend Licensing Expo 2018!

The landscape of commerce and customer expectations is rapidly changing. Nicholas Denissen, Vice President, Amazon, will deliver the opening keynote address at Licensing Expo 2018, speaking to how brands can grow their business online and what Amazon is doing to enable them. Nick, and panelists from industry leaders working with Merch by Amazon will discuss how they are capitalizing on e-commerce and reshaping their businesses to better anticipate customer appetite for unique content and larger selection.

 

Don’t miss these great insights and more from Licensing Expo – register for FREE today!
Acquire new strategies, shape innovative ideas, and build practical solutions by attending Licensing University™

Organized by LIMA (The International Licensing Industry Merchandisers’ Association), Licensing University includes a full day of “Basics” programming for industry newcomers, a full slate of “up close and personal” Roundtable sessions, and countless sessions on the latest trends in the licensing industry. Look no further to build and refine your brand licensing expertise at Licensing Expo.

Here are some Licensing University sessions we think you would enjoy:

In order to attend Licensing University, you must first be registered for Licensing Expo.

Register Now

2018 DMLA Conference Help Wanted

DMLA Conference 2018 Los AngelesDear DMLA Members,

Throughout the years you have been participating in our annual conference as an attendee. This year we are in Los Angeles and as part of the change in locale, I would also like to open to all of  you to the opportunity to participate in the programming for the conference.
Los Angeles is on the Pacific Rim, a city of creativity that is the epicenter of entertainment, music, motion and still and the producers of much of the content for the US and beyond, this opens up many topics for panels and speakers.  What would like to talk about?  What issues do you think are important for this year’s meeting?
We are just beginning our Program Committee’s work and could use a few more volunteers too.
I look forward to working with you all to bring your passion and ideas to our conference October 21-23, 2018.
Please reach out to Cathy Aron at cathy@digitalmedialicensing.org as soon as possible with your suggestions.
All the best,
Ophelia Chong, Stock Pot Images
DMLA Program Chair

SAVE THE DATE: DMLA 2018 ANNUAL CONFERENCE

The DMLA Executive Board is pleased to announce that the 2018 Annual Conference will be held on October 21-23, 2018 at the Marriott Marina Del Rey Hotel in beautiful Marina Del Rey, California.  The hotel is walking distance to Venice Beach (a quick 10 minutes) and a short drive to Santa Monica Beach.

We’re excited to bring the conference to some California sunshine and to look at the future of licensing content in streaming online shows and television.  With companies like Buzzfeed, Hulu, Amazon and Snapchat located on the west coast, we’re looking to have some lively sessions.

Mark your calendars and look for more information to follow.

 

DMLA 2017 Conference is Another Big Success

I’ve just returned home from New York and I’m feeling so grateful for your participation in this year’s DMLA Annual Conference.  Our attendance was greater than last years and I trust that you were happy to be back in Manhattan!

The conference survey has been distributed and I hope you take the time to give us your feedback on this year’s event.  Your comments are so important as we begin to prepare for next year’s meeting in Los Angeles, California.  With all the exciting new things on the West Coast in terms of media and usage we are very excited to bring DMLA out west!

First I want to give recognition to all the wonderful speakers, moderators and panelists who made the conference so compelling.

As all of you know, lots of work goes into putting on an event like the DMLA 2017 Conference and we are so privileged to work with so many talented people.  To our Program Committee led by Ophelia Chong (Stock Pot Images), Doug Dawirs (DMLA Tech Advisor), Rick Gell (Consultant), Paul Melcher (Melcher Systems), James Oh (Adobe), Andrew Rowat (Haystack), Julie Sloane (Science Source) and Sonia Wasco (Grant Heilman Photography) a huge thank you for putting together such a diverse and interesting program.

A huge thank you to Doug Dawirs for working so tirelessly both days on the AV for the sessions and making sure that everything flowed so well. And an extra thank-you to Ophelia for her design of the conference logo and the new fold-up program that I believe everyone really enjoyed having right in your name badge holder this year!!

A special thank you to Geoff Cannon, our DMLA President, for his support and guidance and to our Treasurer Chris Carey and Past President Sonia for all their extra help.

It’s almost impossible to put on a conference without the assistance of our sponsors to help with the costs and we are so grateful for their generosity.  Adobe stepped up again with the Platinum Sponsorship and provided the wonderful conference bags, the delightful opening reception and provided us with a great session.  Silver Sponsor Capture’s DMLA LIVE DAM 2017 gave everyone easy access to find people for meetings and they also sponsored the great notebooks everyone was using to take notes!  I hope you’ve checked out the site (https://dmla.capture.co.uk) since the conference to see all the great live images!

Thanks also to Cowan, DeBaets, Abrahams and Sheppards (CDAS) for sponsoring the lanyards.  To Clarifai, attending their first DMLA Conference, thanks for stepping up and sponsoring our Monday night cocktails!  Our printing was coordinated once again by Grant Heilman Photography and KeyIndia provided us with a wonderful masseuse that I hope you enjoyed.  Additional kudos to ImageRights who sponsored the photo booth at the cocktail parties (such fun) and the covered coffee cups during the day.

It was really nice this year to include more motion in our sessions and we thank both FOCAL and ACSIL for their participation and sponsorship.

And to our photographers Bjorn Bolinder (for the conference) and Jamie Ellington (for the receptions) who donated their excellent skills to our cause we are so very thankful.

And to Andrea Stern and Mary Egan from MOCA who helped me secure the sponsorships and provide all-around support for this event, a big hug and thanks!  They also have reviewed all the sessions and we will have those reviews up on the DMLA website ASAP.

Our photographers Bjorn Bolinder (for the conference) and Jamie Ellington (for the receptions) donated their excellent skills to our cause, many thanks!

Again, thanks to each of you for your support of DMLA and the conference.  I look forward to hearing your thoughts and suggestions.

If you would like to be involved in next year’s conference planning, please contact me.  cathy@digitalmedialicensing.org.    Looking forward to seeing everyone next year!