Category Archives: Press releases

Wimbledon pioneers split-second photography technology by Capture

 

 

The All England Lawn Tennis Club (AELTC) has scored a first during The Championships, Wimbledon 2017 by using Capture’s ground-breaking LIVE EVENTS technology that allows images to be delivered instantly direct from camera – complete with caption information – to multiple simultaneous global destinations.

DMLA is excited to be using the same technology for the DMLA 2017 Conference in October thanks to the sponsorship by Capture.

You can read the Wimbledon article here

Wimbledon pioneers split-second photography technology

 

 

Dateline: July 20th, 2017

The All England Lawn Tennis Club (AELTC) has scored a first during The Championships, Wimbledon 2017 by using Capture’s ground-breaking LIVE EVENTS technology that allows images to be delivered instantly direct from camera – complete with caption information – to multiple simultaneous global destinations.

The system augments the battery of high-tech photographic equipment operated by The Championships’ ace team of photographers – headed up by AELTC photographic manager and sports photographer Bob Martin – that even includes robotic cameras perched on rooftop vantage points.

Thousands of iconic moments that crystalise the essence of Wimbledon have been ‘Captured’ via this technology ecosystem during this year’s Championships, allowing rapid deployment of imagery to the website team and hungry social media sites.

Bob, an award-winning sports photographer who has photographed every major sporting event, stated: “Only the best will do for The Championships both visually and technically. We like every department at Wimbledon to continually live up to our slogan ‘In Pursuit of Greatness’.

“Fractions of seconds can be game changers when you are striving to produce world class imagery in fast-moving tennis matches across 18 different courts and with hundreds of players and countless amazing moments both on and off court.”

“Working with Capture’s terrific technology – and their supportive team – means we can focus on shooting the best images, confident in the knowledge that seconds later they will be being delivered via the Capture system, complete with captions, correct location and attributed to the right photographer. We can even switch members of the photographic team around between courts and matches, and still be sure the right information accompanies the images. It helps to deal with the instant demands of social media,” added Bob.

Alexandra Willis, Head of Communications, Content and Digital at Wimbledon, said: “Bob and his team produce world class content for us, and we are delighted that Capture – who we have worked successfully with in other areas for several years – has brought such immediacy to this process to ensure that we are able to put photography at the heart of our channels.”

Abbie Enock, CEO of Capture Ltd, said: “We have worked with Wimbledon for more than three years, with systems that manage the image library and also brand quality benchmarking – and are very proud to have been able to provide Capture LIVE EVENTS for The Championships. The AELTC, Bob Martin and his team are wonderful clients to work with.”

Capture LIVE EVENTS is part of Capture’s suite of ‘building block’ products that address every step of the digital and commercial licensing workflow – including elegant, shop-window, front-end Capture WEBSITE.

A general view of the grounds on the first day of the Championships 2017 at The All England Lawn Tennis Club, Wimbledon. Day 1 Monday 03/07/2017. Credit: AELTC/Bob Martin.

View inside Centre Court during the Ladies’ Singles match between Angelique Kerber (GER) and Irina Falconi (USA) on the second day of The Championships 2017 at The All England Lawn Tennis Club, Wimbledon. Day 2 Tuesday 04/07/2017. Credit: AELTC/Thomas Lovelock.

IMAGERIGHTS ACQUIRES IMAGE WITNESS, STRENGTHENS IMAGE SEARCH TECHNOLOGY ARSENAL

 

 

Solidifies ImageRights’ Leadership Position in Copyright Enforcement

Boston, MA – ImageRights International, the global leader in copyright enforcement services for photo agencies and professional photographers, today announced the acquisition of Australia’s Image Witness, whose rapid scan image search technology fortifies ImageRights’ technology leadership position in the fast-growing copyright enforcement services industry.

Complementing ImageRights’ intensive image search and leading-edge image recognition technologies, Image Witness’ highly regarded image search algorithms have been specially designed for rapidly scanning very large, content rich websites for both image licensing and copyright enforcement purposes.

The combined image search systems will instantly deliver comprehensive, actionable image sighting reports to clients through their ImageRights dashboard at imagerights.com. The sightings are first analyzed by ImageRights AI, which sorts, ranks and groups the sightings by domain owner, all of which expedites license review and facilitates claim submission by copyright owners. The ImageRights AI can then recommend if a claim should be pursued directly through ImageRights license compliance or through a partner law firm and estimate the initial demand, all in less than three seconds. Since the launch of its integrated image search and case management platform, ImageRights has processed more than 50,000 copyright infringement claims.

“I have known and followed the developments at ImageRights over the years, so when the opportunity was presented I knew ImageRights was the perfect fit,” reflected Matthew Johnson, founder and CEO of Image Witness. “ImageRights has always had an upstanding reputation in the industry and I am glad to see that our clients will be in such great hands.”

Image Witness’ clients will be seamlessly transitioned to the ImageRights service platform and will immediately have access to ImageRights’ fully automated US Copyright Office registration service. Agencies and photographers can register their images with the US Copyright Office through their ImageRights account, either from their ImageRights dashboard or by using the ImageRights Plugin for Adobe Lightroom. ImageRights has successfully registered more 600,000 images with the USCO through the service since its launch less than two years ago.

The Image Witness acquisition also propels ImageRights into the web auditing services market. “Image Witness’ rapid scan image search can be immediately integrated into our existing platform,” said Joe G. Naylor, President and CEO of ImageRights. “We can now deliver extremely fast and accurate image use reporting, accelerating revenue recognition for agencies that previously had to rely on the self-reporting of image use by their largest media and enterprise clients.”

 

SmartFrame, New DMLA Corporate Sponsor, Asks if Technology can Fight Technology

The biggest discussions and debates at the recent CEPIC Congress where centred around Google and our industrys efforts to overcome its dominance on search, and the negative impact it’s having on our on-line licensing and copyright preservation. We also explored emerging revenue opportunities and what the future holds for our industry.

Conversations naturally focussed on legal and lobbying efforts made by industry bodies such as CEPIC, DMLA and BVPA in this area, but we also wanted to highlight to members an emerging technology solution called the SmartFrame, that solves many of the issues discussed in our seminars. Read the entire article here.

Is the best way to fight technology with technology?

In our CEPIC Congress ‘Thank you’ newsletter we mentioned a few of this years very well-attended seminars. 

The biggest discussions and debates where centred around Google and our industrys efforts to overcome its dominance on search, and the negative impact it’s having on our on-line licensing and copyright preservation. We also explored emerging revenue opportunities and what the future holds for our industry. 

Conversations naturally focussed on legal and lobbying efforts made by industry bodies such as CEPIC, DMLA and BVPA in this area, but we also wanted to highlight to members an emerging technology solution called the SmartFrame, that solves many of the issues discussed in our seminars. 

SmartFrame were a sponsor of this year’s CEPIC Congress, indeed you may have seen their coffee cups around, met with their team, or have attended SmartFrame CEO; Rob Sewell’s seminar: “Regaining Control of your Online Images” on Friday afternoon. 

At his session, Rob demonstrated this innovative image technology that has the potential to revolutionise our industry, and addresses many of the issues discussed at this years congress. 

For those that didn’t catch that session; the SmartFrame is a patent-pending, secure, embeddable, trackable and interactive digital image format, which is looking to redefine the digital image standard in the coming months & years. 

As we all know, gaining control and properly policing image content on the Internet is long overdue, and whilst all the legal work being done is helping, it’s going to be a long and uphill battle. Rob believes that the best way to fight technology is with technology – much like anti-piracy control for audio and video content has been accomplished using technology – he believes the SmartFrame technology can do the same for the image industry.  

SmartFrame:
  • Helps to protect and raise awareness of copyright of images 
  • Drives traffic and sales back from Google
  • Can be shared & embedded in a controlled manner, always linking back to the content owner with a one click path to purchase 
  • Provides valuable business data and intelligence from wherever it is viewed
  • Offers an interactive and engaging viewing experience 
  • And provides new marketing and revenue opportunities for content owners
 

SmartFrame is starting to gain traction across a variety of verticals including the image industry, publishers, brands, fashion, online retail, property and automative sectors. 

Their API and dashboard can be integrated into any web platform or application, and SmartFrames can be updated dynamically and retrospectively wherever they have been embedded on the Internet. Further info can be found at www.smartframe.io.

One of the big challenges, and a key point of discussion at CEPIC, is the issue of Google scrapping and serving content, and the content then being consumed and shared across the internet directly from their search listings, with no attribution or clear path back to the owner. 

The SmartFrame technology mitigates this problem, as it ensures the high resolution image remains invisible to Google and web scrappers, while allowing Google to see a small unusable watermarked thumbnail, complete with a clear call to action such as “View Photo”, which then drives traffic back to the hosted platform to see the full secure SmartFrame version of the image. This has no negative impact on ranking, as you can see from this set of Google Search Results for a photographer currently using SmartFrame. The photographers images are on the first page of Google results here, and if you click to the Google Images view you’ll see the top ranking images are also SmartFrame thumbnails – all leading back to the photographers website – where the viewers can experience the SmartFrames and license the images directly or share them in a controlled manner. 

Further examples of SmartFrames with various configurations can be viewed here SmartFrame Examples

SmartFrame have a busy features release schedule coming throughout 2017. Next up will be their Tracker feature, which will allow users to view where their images have been shared and embedded and how viewers are interacting with them. Then later in the year SmartFrame users will be able to communicate and advertise to their audiences in new and targeted ways, such as affiliate advertising & product linking to sales stores, in order to generate new revenue streams for our industry, alongside boosting more direct image sales.

The SmartFrame team are also working with a reverse search engine company to find infringements, and rather than asking for infringing uses of images to be taken down, they are asking them to swap them out for SmartFrames. In this way they are not only changing the way new content is being published, but also beginning to convert historical content too, helping the content owners to develop larger audiences, greater engagement and driving more traffic back to their / or third party platforms to monetise a variety of products and services. 

Could this be the future way to protect and monetise our content and grow our industry revenues? 

SmartFrame have put together a very generous offer for all of this years CEPIC delegates – they are offering FREE integrations and 12 month’s FREE use of their Showcase, Tracker and Monetizer upgraded packages.

To book a demo and experience how this technology can help revolutionise your business please contact us directly at hello@smartframe.io or visit www.smartframe.io/request-a-demo

www.smartframe.io 

CDAS Expands Their West Coast Practice

Cowan, DeBaets, Abrahams & Sheppard LLP is expanding its West Coast litigation, entertainment, and intellectual property practice with the strategic hire of a two-person litigation team, led by Carole E. Handler, who joins the firm as a partner in CDAS’s Beverly Hills office as of April 1, 2017.

Widely known as “the lawyer who saved Spider-Man,” Carole represented Marvel Entertainment Company for over a decade in copyright and other litigation, and was responsible for the trial strategy that allowed Marvel to recover the motion picture rights to its iconic Spider-Man property.   Read more about this nationally recognized litigator on copyright, trademark, entertainment, and antitrust cases here.

CDAS brings in partner Carole E. Handler and associate Brianna Dahlberg to expand its West Coast Litigation, Entertainment, and IP practice

Cowan, DeBaets, Abrahams & Sheppard LLP is expanding its West Coast litigation, entertainment, and intellectual property practice with the strategic hire of a two-person litigation team, led by Carole E. Handler, who joins the firm as a partner in CDAS’s Beverly Hills office as of April 1, 2017.

Ms. Handler is a nationally recognized litigator on copyright, trademark, entertainment, and antitrust cases. She has handled numerous groundbreaking cases throughout her career, representing clients in the motion picture, telecom, fashion, sports, and other industries on matters involving entertainment, copyright, competition, and new media.

Her work includes representing clients in the motion picture industry in complex copyright and antitrust litigation. Widely known as “the lawyer who saved Spider-Man,” Carole represented Marvel Entertainment Company for over a decade in copyright and other litigation, and was responsible for the trial strategy that allowed Marvel to recover the motion picture rights to its iconic Spider-Man property. In representing Pfizer, she was one of the lead attorneys who succeeded in having the then-largest trademark verdict in history reversed. But perhaps one of the cases of which she is most proud involves her work on a nine-week pro bono jury trial for a Holocaust survivor to recover the rights to her life story, which is now being developed into a motion picture.

Carole has successfully represented major motion picture producers and distributors in litigation involving antitrust and copyright issues and continues to support her clients’ efforts as new media revolutionizes traditional ways of reaching consumers. Carole also handles infringement claims for a number of fashion clients, for which copyright is an increasingly crucial issue. Carole regularly submits amicus briefs on copyright and antitrust issues in the Second, Third, Sixth, Ninth, and Eleventh Circuits, as well as the Supreme Court, and California courts.

She has also been an adjunct professor at USC law school for over 13 years, where she has taught both antitrust and IP courses.

“Carole’s practice is perfectly synergetic with CDAS’s litigation practice in New York, which also centers on IP, media, and entertainment disputes,” explains Eleanor M. Lackman, co-chair of CDAS’s Litigation Group. “She helps us take the strong practice that we have built on the East Coast and replicate that type of focus and service on the West Coast, which provides a major benefit for our clients across the country.”

Carole was immediately drawn to CDAS by the firm’s commitment to strategic growth in key industry sectors, which allows it to serve a wide variety of clients, its openness to new approaches, and its focus on important media issues, which are central to her practice. “In addition to the superior quality of CDAS’s nationally recognized attorneys, its dedication to innovative legal thinking, the depth of its IP practice and its focus on copyright and media – it is also the unusual firm that has a real commitment to internal development and gender diversity equality and practices it.” Carole notes that the majority of CDAS’s equity partners are women.

Joining Carole is Brianna Dahlberg, an associate who has worked with Carole since 2011 and has extensive trial and pretrial experience in entertainment, IP, and contractual matters. Both Carole and Brianna join from Eisner Jaffe, which they joined from Lathrop & Gage.

More information about Carole E. Handler is available at http://cdas.com/carole_handler

More information about Brianna Dahlberg is available at http://cdas.com/brianna_dahlberg

ABOUT COWAN, DEBAETS, ABRAHAMS & SHEPPARD LLP

CDAS is a New York and Los Angeles entertainment, media and IP law firm that has served clients for over 25 years in the traditional content and media businesses as well as in emerging technologies. Practices in our majority-women owned firm include: film, television, visual arts, music, digital media, publishing, fashion, theatre, advertising and marketing, copyright, corporate formation, finance and M&A, employment, litigation, technology, trademarks, brands and venture. Our strong commitment to understanding our clients’ businesses and budgets allow us to offer individualized attention that includes in-depth industry knowledge as well as focused legal advice in litigation and transactional matters that only a niche boutique law firm like CDAS can provide.

Media Contact: Jennifer Besada, jbesada@cdas.com, (212)-974-7474

 

 

Dreamstime Integrates Artificial Intelligence and Machine Learning into Stock Photography Service

 

 

SAN FRANCISCO — Dreamstime, the largest community in stock photography, announced today the company has implemented a proprietary artificial intelligence (AI) system that uses sophisticated algorithms to screen submitted images. The machine learning tool is designed to examine how human editors at Dreamstime review images, and then adjust its parameters to best match the editors’ various criteria.

The AI tool from Dreamstime will go beyond current image recognition software, as it can unite metadata with the context of the image itself. It can be applied to multiple areas of the submission process, for example notifying users they need a model release or recognizing a copyright logo resides in an image. The tool has the capability to detect features in submitted images that trigger rejections, and uses this same intelligence to label and localize each photo.

This is a next-generation enhancement that can not only recognize the subject of a photo, but also relate its compositional and commercial value. Dreamstime will continue to utilize its team of human editors who understand the nuances of reviewing in terms of the legal, aesthetic, and technical aspects of an image. This team’s ongoing work will be integrated within the AI system, allowing it to adopt some of the human element of the review process.

Both photographers/contributors and end users will benefit from the AI solution. Photographers will receive a streamlined review period for images, so they can have more content accepted and more quickly earn revenue for their work. Dreamstime estimates it will reduce the review period with 30-60% and in some cases, the review will be instant. End buyers/designers will gain from a wider selection of image content and a refined search capability that accounts for the AI-produced data.

“Constant innovation is a primary reason for our continued success in the stock image industry,” said Serban Enache, the company’s CEO and co-founder. “With our AI solution, we have created a continually improving tool that will conduct instant image reviews, which will streamline our approval process. And we can layer on other types of metadata points such as customer behavior to build a truly intelligent solution that helps us improve the end-user experience.”

Among current functions we can include a search engine that helps editors determine if certain images were uploaded before and are already online, thus avoiding duplicating content, automatic recognition of certain landmarks that can only be sold as editorial licenses, automatic recognition of illustrations.

Future planned enhancements to the AI’s functionality include the addition of customer behavior data, so the system can effectively “learn” what types of images are selling, and which ones are less appealing. It will do this by learning from various sources and combine that information with data from other previous steps to develop an accurate gauge of an image’s likely value.

Rivals add to complaints against Google’s Android

By Nicholas Hirst/Politico

A tech lobby group filed a fresh antitrust complaint against Google with the European Commission, reiterating accusations the U.S. tech giant used its popular mobile operating system to protect its dominance over internet searches.

The Commission already has an ongoing probe into Android examining the issues raised by OIP. If the Commission accepts OIP, whose members include French-German search engine Qwant, as a formal complainant in the Android case, the lobby group would have access certain documents and could provide its views.

The OIP also announced Tuesday that it was integrating 20-plus companies from the Initiative for a Competitive Online Marketplace, a long-standing anti-Google group that is closing.

It used a press conference to criticize the length of the Commission’s probe into Google and to call on enforcers to impose “interim measures,” which could require Google to change its conduct pending a final decision. It also accused Google of acting in “bad faith.”

Google did not immediately respond to a request for comment.

OIP’s members include German publishers Axel Springer (a co-owner of POLITICO in Europe) and Hubert Burda Media, Qwant, the French search engine in which Axel Springer has a stake, French shopping website leGuide.com, U.S. photo agency Getty Images, and German broadcaster ProSiebenSat.1.

To view online