Category Archives: Press releases

Capture unveils new front-end WordPress technology at DMLA 2017

Capture is proud to be showcasing its new front-end Capture WEBSITE 3 technology – the window to your assets which forefronts audience engagement – at the DMLA 2017 conference in New York on October 22-24.

This represents a new dawn for Capture’s product range because for the first time, instead of the look and feel of our front-end being controlled by Capture’s proprietary content editor, the Content Management System (CMS) will use WordPress.

Other features include easy drag-and-drop upload – that can handle anything from crowd-sourcing to sophisticated controlled contributor editing and ingest of content and metadata – as well as end-user tagging of assets. Highly-collaborative lightboxes make for powerful and intuitive research tools. The system handles all types of content, including video (which plays on hover), audio and multiple-page pdfs.

The exceptional user interfaces have been worked on by Capture’s artistic director, who is an expert in modern user journeys, and Capture’s front-end design team.

This will give an unparalleled combination of all the power of Capture’s Digital Asset Management (DAM), business and e-commerce platform, with the immense flexibility and responsiveness of WordPress.

For existing users, all the great functionality of Capture WEBSITE 2 will be carried forward in beautifully designed, fully responsive interfaces that will function on all devices, including mobiles, tablets and laptops, in an easy upgrade process.

For new users, all Capture systems can be rolled out quickly and cost-effectively through our automated tech platform.

 

Abbie Enock, Capture CEO, said: “Capture WEBSITE 3 provides a terrific shop-window for stunning content – and complements perfectly the LIVE EVENTS workflow that is being showcased at DMLA to handle the conference media assets. The WordPress platform will give people the flexibility and extensibility they are looking for in this ever-changing technical world. Augmented with our ROYALTIES, FINANCE and LICENSING products it provides a compelling experience for your clients – and a streamlined and efficient environment for your staff.”

Key features include:

  • All-new design and UX – WordPress platform; standards compliant; SIMPLICITY.
  • Completely responsive – will work on any device.
  • Completely scalable – no barriers to numbers.
  • Completely extensible – modular, self-serve, flexible tech options.
  • Real-time indexing – lightning fast search.
  • Ability to aggregate content across all sites – one-hit search / approved source control.
  • Promotional and upselling features – to help creators/sellers be successful.
  • Amazon-style easy licensing process – so easy to buy, buyers use it.
  • Broader extensible functionality – WordPress plugins.
  • Audience participation.
  • Uniquely powerful combination of Capture DAM and business platform, combined with design flexibility of WordPress.

DMLA 2017 is being held at The New Yorker, Manhattan, 481 8th Ave & 34th St, New York, NY 10001 from October 22nd to October 24th, 2017.

About Capture Ltd

Capture is a leader in enterprise-grade media management systems and services that include instant content delivery from live events, rights, licensing, metadata, finance and royalties. For more information please see www.capture.co.uk or email welcome@capture.co.uk.

20/20 Software Offers New Tools For Working With Footage

 

20/20 Software is pleased to announce the addition of our newest tools for working with footage in our 20/20 Software system:

Clipping. Our Media Asset Manager creates clips from a master reel and saves them as new media records. In addition, it can create time slices for customer orders and deliver those slices to customers. Our websites allow customers to create time slices and then deliver them on the fly.

Offset Timestamps. Our Media Asset Manager supports offset timestamps, making it easy for the media library to get the correct time slices from the customer. Then, using the clipping feature, easily and efficiently make clips for delivery.

Multi-processing. Our Media Asset Manager processes videos with the ability to make clips, resize, apply timestamps (offset or standard), apply watermarks, and apply text overlays (scrolling or fixed) – all at the same time. In addition, the processor creates posters, thumbnails, and optionally playable thumbnails, all as part of the same video-processing action.

Batch processing. All the features of multi-processing can be done in batch.

Don Resnick, President of 20/20 Software, said “We’re excited to add these new features to our software’s current video functionality. These new features join our existing enhancements for footage and video functionality, giving our clients the ability to offer clipping, pricing, and online delivery – all in a seamless and satisfying customer experience.”

20/20 Software is a leading provider of multi-media websites and image/business management software to media libraries, museums, corporations, institutions, and newspapers. Please call us at 203.316.5500 in the US to schedule a demo or contact us at sales@twensoft.com for more information about using our multi-media software system platform. Also, visit us at DMLA Table #12 on October 23-24, and at Visual Connections on October 25 at Table #H10-11.

Copyright Alternative in Small-Claims Enforcement Act of 2017

DMLA is happy to announce our support for the bill by Representative Hakeem Jeffries (D-NY) to create a small claims court within the Copyright Office.  The bill, H.R. 3945,  entitled, the “Copyright Alternative in Small-Claims Enforcement Act of 2017” (the “CASE Act”) is also cosponsored by Representatives Tom Marino (R-PA), Lamar Smith (R-TX), Doug Collins (R-GA), Judy Chu (D-CA) and Ted Lieu (DCA).

Here are links to the press release issued by Rep. Jeffries and his colleagues yesterday announcing the introduction of the bill, a press release issued by DMLA and several other visual artist organizations praising the introduction of the legislation, and the bill, H.R. 3945.

 

 

ImageRights Announces Dedicated Copyright Registration Service

ImageRights International, the global leader in copyright enforcement services for photo agencies and professional photographers, today announced the launch of a dedicated copyright registration service. For the first time, any photographer or agency can register their images with the United States Copyright Office through ImageRights highly efficient and precise copyright service. Previously, only ImageRights members had access to the service.

Read more here

Leading Copyright Enforcement Service Imagerights Announces Dedicated Copyright Registration Service


ImageRights International, the global leader in copyright enforcement services for photo agencies and professional photographers, today announced the launch of a dedicated copyright registration service. For the first time, any photographer or agency can register their images with the United States Copyright Office through ImageRights highly efficient and precise copyright service. Previously, only ImageRights members had access to the service.

ImageRights has successfully registered more than 600,000 published and unpublished images with the USCO through the service since its launch less than two years ago. The application is quick taking only a couple of minutes, simple with a high tech software that auto fills out the form, and most importantly accurate. With error checking technology, users can be assured their applications were filled out with all necessary information to protect images if an infringement claim is ever needed to be pursued. As a result of the accuracy of its applications and the long-standing relationship it has with the examiners at the USCO, ImageRights’ turnaround is among the fastest on the market, taking only a few weeks on average to receive the registration certificates versus the six to eight months cited on the copyright.gov website. Images can be registered through the website or by using the ImageRights Plugin for Adobe Lightroom.

ImageRights also inscribes the USCO registration number, date, status and deposit copies into the Bitcoin blockchain through their Blockchain Inscription Service. By using SHA2, an asymmetric cryptographic function, ImageRights can safely and automatically convert any file into a representative hash value. An effective and much faster alternative to requesting and paying for copies of the deposit copies from the USCO, the hash can be used as validated proof that a file containing the USCO registration information and images covered by the registration existed at that time and can be a valuable tool for expediting settlement negotiations for infringement claims.

“We strongly believe in photographers and agencies registering their images with the US Copyright Office and wanted to make our service readily available to all,” said Joe G. Naylor, President and CEO of ImageRights. “If the USCO form is not submitted the right way or the correct documentation of your work is not kept on file, photographers can be left vulnerable when pursuing an infringement claim. With our services they are 100% protected.”

Photographers and agencies can register their images with the US Copyright Office for $99 plus the Copyright Office filing fee at http://www.imagerights.com/copyrightregistration.

 

Nancy Wolff Named to 2018 Edition of the Best Lawyers in America

Cowan, DeBaets, Abraham’s & Sheppard’s Law Practice had six attorneys selected for inclusion in the 2018 edition of Best Lawyers in America list. Among them is our own, Nancy Wolff, DMLA Counsel.

Nancy is currently President of the Copyright Society of the USA and she is a frequent speaker throughout the United States and Europe on issues relating to copyright, digital media, and licensing for many organizations including the American Bar Association, The Copyright Society, Practicing Law Institute (PLI), The Digital Media Licensing Association, and the European Confederation of Image Libraries and Archives (CEPIC). She frequently speaks at design schools and photography classes on issues relating to copyright, trademark, and publicity as it relates to the licensing of digital media.

This is such a well-deserved honor for Nancy.  We join the many others in offering our congratulations and good wishes to CDAS and to Nancy.

Wimbledon pioneers split-second photography technology by Capture

 

 

The All England Lawn Tennis Club (AELTC) has scored a first during The Championships, Wimbledon 2017 by using Capture’s ground-breaking LIVE EVENTS technology that allows images to be delivered instantly direct from camera – complete with caption information – to multiple simultaneous global destinations.

DMLA is excited to be using the same technology for the DMLA 2017 Conference in October thanks to the sponsorship by Capture.

You can read the Wimbledon article here

Wimbledon pioneers split-second photography technology

 

 

Dateline: July 20th, 2017

The All England Lawn Tennis Club (AELTC) has scored a first during The Championships, Wimbledon 2017 by using Capture’s ground-breaking LIVE EVENTS technology that allows images to be delivered instantly direct from camera – complete with caption information – to multiple simultaneous global destinations.

The system augments the battery of high-tech photographic equipment operated by The Championships’ ace team of photographers – headed up by AELTC photographic manager and sports photographer Bob Martin – that even includes robotic cameras perched on rooftop vantage points.

Thousands of iconic moments that crystalise the essence of Wimbledon have been ‘Captured’ via this technology ecosystem during this year’s Championships, allowing rapid deployment of imagery to the website team and hungry social media sites.

Bob, an award-winning sports photographer who has photographed every major sporting event, stated: “Only the best will do for The Championships both visually and technically. We like every department at Wimbledon to continually live up to our slogan ‘In Pursuit of Greatness’.

“Fractions of seconds can be game changers when you are striving to produce world class imagery in fast-moving tennis matches across 18 different courts and with hundreds of players and countless amazing moments both on and off court.”

“Working with Capture’s terrific technology – and their supportive team – means we can focus on shooting the best images, confident in the knowledge that seconds later they will be being delivered via the Capture system, complete with captions, correct location and attributed to the right photographer. We can even switch members of the photographic team around between courts and matches, and still be sure the right information accompanies the images. It helps to deal with the instant demands of social media,” added Bob.

Alexandra Willis, Head of Communications, Content and Digital at Wimbledon, said: “Bob and his team produce world class content for us, and we are delighted that Capture – who we have worked successfully with in other areas for several years – has brought such immediacy to this process to ensure that we are able to put photography at the heart of our channels.”

Abbie Enock, CEO of Capture Ltd, said: “We have worked with Wimbledon for more than three years, with systems that manage the image library and also brand quality benchmarking – and are very proud to have been able to provide Capture LIVE EVENTS for The Championships. The AELTC, Bob Martin and his team are wonderful clients to work with.”

Capture LIVE EVENTS is part of Capture’s suite of ‘building block’ products that address every step of the digital and commercial licensing workflow – including elegant, shop-window, front-end Capture WEBSITE.

A general view of the grounds on the first day of the Championships 2017 at The All England Lawn Tennis Club, Wimbledon. Day 1 Monday 03/07/2017. Credit: AELTC/Bob Martin.

View inside Centre Court during the Ladies’ Singles match between Angelique Kerber (GER) and Irina Falconi (USA) on the second day of The Championships 2017 at The All England Lawn Tennis Club, Wimbledon. Day 2 Tuesday 04/07/2017. Credit: AELTC/Thomas Lovelock.

IMAGERIGHTS ACQUIRES IMAGE WITNESS, STRENGTHENS IMAGE SEARCH TECHNOLOGY ARSENAL

 

 

Solidifies ImageRights’ Leadership Position in Copyright Enforcement

Boston, MA – ImageRights International, the global leader in copyright enforcement services for photo agencies and professional photographers, today announced the acquisition of Australia’s Image Witness, whose rapid scan image search technology fortifies ImageRights’ technology leadership position in the fast-growing copyright enforcement services industry.

Complementing ImageRights’ intensive image search and leading-edge image recognition technologies, Image Witness’ highly regarded image search algorithms have been specially designed for rapidly scanning very large, content rich websites for both image licensing and copyright enforcement purposes.

The combined image search systems will instantly deliver comprehensive, actionable image sighting reports to clients through their ImageRights dashboard at imagerights.com. The sightings are first analyzed by ImageRights AI, which sorts, ranks and groups the sightings by domain owner, all of which expedites license review and facilitates claim submission by copyright owners. The ImageRights AI can then recommend if a claim should be pursued directly through ImageRights license compliance or through a partner law firm and estimate the initial demand, all in less than three seconds. Since the launch of its integrated image search and case management platform, ImageRights has processed more than 50,000 copyright infringement claims.

“I have known and followed the developments at ImageRights over the years, so when the opportunity was presented I knew ImageRights was the perfect fit,” reflected Matthew Johnson, founder and CEO of Image Witness. “ImageRights has always had an upstanding reputation in the industry and I am glad to see that our clients will be in such great hands.”

Image Witness’ clients will be seamlessly transitioned to the ImageRights service platform and will immediately have access to ImageRights’ fully automated US Copyright Office registration service. Agencies and photographers can register their images with the US Copyright Office through their ImageRights account, either from their ImageRights dashboard or by using the ImageRights Plugin for Adobe Lightroom. ImageRights has successfully registered more 600,000 images with the USCO through the service since its launch less than two years ago.

The Image Witness acquisition also propels ImageRights into the web auditing services market. “Image Witness’ rapid scan image search can be immediately integrated into our existing platform,” said Joe G. Naylor, President and CEO of ImageRights. “We can now deliver extremely fast and accurate image use reporting, accelerating revenue recognition for agencies that previously had to rely on the self-reporting of image use by their largest media and enterprise clients.”

 

SmartFrame, New DMLA Corporate Sponsor, Asks if Technology can Fight Technology

The biggest discussions and debates at the recent CEPIC Congress where centred around Google and our industrys efforts to overcome its dominance on search, and the negative impact it’s having on our on-line licensing and copyright preservation. We also explored emerging revenue opportunities and what the future holds for our industry.

Conversations naturally focussed on legal and lobbying efforts made by industry bodies such as CEPIC, DMLA and BVPA in this area, but we also wanted to highlight to members an emerging technology solution called the SmartFrame, that solves many of the issues discussed in our seminars. Read the entire article here.